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ANASTASIA ZOBNINA: THREE QUESTIONS: WHAT, WHERE, AND WHEN TO WATCH IN FRENCH THEATRES 02.12.2016
THE “RED LINES”/”BORDERLINES” OF SERBIAN THEATRE 02.12.2016
THE THING BETWEEN US 30.11.2016
SHANGHAI THEATRE ACADEMY GIVES A PANORAMA OF CHINESE THEATRE LIFE 30.11.2016
WHY IS FRANK CASTORF DOOMED TO GALLIVANT AROUND EUROPE’S THEATRES? 30.11.2016
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